Bevis Hillier |
Art deco was not published until 1968, were British art
historian Bevis Hiller published ‘art deco of the 20’s and 30s’ that the name
finally stuck; but due to the fashion era of the twenties evolving into a more
modernised design in the thirties, some designers continued to have their
doubts about identifying a collection that could be accurately labelled Art
Deco. Although in 2003, a large exhibition on Art Deco was hosted by Victoria
& Albert museum, finally confirming its acceptance as a genuine and
distinct style of its time. Designers continue to pay a tribute to the art
forum of Art Deco today, through architecture, furniture, furnishings, objects,
art, fashion and jewellery. Reinterpreting the movement for the 21st
century. The London Art Deco society celebrates this by featuring Art deco new
waves venues.
One of the inspired artists that interests me from this art
form is Tamara de lempicka. Her work was of portraits of writers, entertainers,
artists, scientists and industrialists; it consisted mainly of rich and
successful people. No one from underclass, since In her childhood she was
spoilt by the age of 14 by her grandmother with clothes and travel, after her
parents were divorced. This is what bought her, her critical acclaim, social
celebrity and considerable wealth. After
her second husband death she went on to live near her daughter to start
painting with different materials such as a palette knife, much in vogue at the
time.
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